Benjamin Francis Leftwich- Atlas Hands beach shots analysis

Micro element analysis of Benjamin Francis Leftwich's Atlas hands. i am mainly analysing the camera use and the way the location is used and represented in the video.

Throughout the video a large range of shots are used. An establishing shot is used first to set the scene, in the first few seconds it allows the audience to know that the video is being shot at the beach. 
They use low angle and high angles shots to show things like the characters tying each others hair, the characters are also mainly children. This holds connotations of the beach being a place for children and a place to be immature. we are also following this with the use of shots showing our characters eating ice cream, laughing, joking and flying a kite, all associated with immaturity. 
In terms of editing, the cuts made are not made to the beat of the song, this is a convention of the indie genre and relates to rebellion. 

digipack ideas

For our digipack we have had some thoughts on album title and shot ideas.

For album title we have, tearing back the wallpaper, new beginnings, higher heights, and a fresh start.

We have an idea for our front cover, a mid shot of our artist looking up to a wall with torn back wallpaper, this mainly relates to our first album title idea, but can also relate to new beginnings. 
We are planning to have another group meeting to finalize decisions and to decide on inlay and back cover ideas.

prolgue analysis

We are planning to use a prologue at the beginning of our video, I have found some music videos that use this technique to see what they are trying to show/represent.


This is the music video for Rihanna's California king bed. this has a 32 second long prologue. in this video it is used to set the scene, with close up and medium shots of both the narrative and performance scenes. it shows a direction and a general story line to the video. it allows the audience to gain an insight into the story behind the video and the lyrics and to connect to the artist without music.

planning evidence